For a show that exists to honor the best in music for the past year, the 58th Annual Grammy Awards did not seem all too interested in giving out, well, awards.
Of the 81 awards disseminated by the academy on Monday, only eight happened live on television. The rest of the three and a half hour broadcast was filled with performances.
Which isn’t necessarily a bad thing. Acceptance speeches are widely considered the most boring part of an awards show.
But there are just so many artists and bands who won Grammys, who, for all intents and purposes, may as well have not existed on Monday because their category didn’t make the live show.
Consequently, anyone who doesn’t stay up to date with music but only tunes into the Grammys officially thinks the only musicians that exist right now are Taylor Swift, Kendrick Lamar, Meghan Trainor and the Weeknd.
But I digress.
Anyway, like any awards show, there was the good and the bad last night.
The talk of the town are the first two people I mentioned above. Taylor Swift, who became the first women to win Album of the Year twice, and used her speech to not only empower young woman, but to apparently throw some serious shade at Kanye West.
Taylor, I’m on your side. But when you publicly shame Kanye, it does not go quietly. The man may be a musical genius, but mentally, he’s not all there. Keep Selena Gomez and the rest of your female posse close by. You may need it.
The other highlight was Kendrick Lamar, whose 2015 release “To Pimp a Butterfly” swept all the rap categories but fell short on Album of the Year to Swift’s “1989.” But what people will remember most was his spellbinding, socially conscious performance, which will probably upset the same white people who didn’t like Beyonce’s Super Bowl halftime performance last week — which, might I add, Saturday Night Live hilariously chimed in on this weekend.
What people also will likely remember was Lady Gaga’s tribute to David Bowie, which frenetically rushed through 10 of his songs in a matter of minutes. While ambitious, the whole thing seemed too chaotic and over the top, which, apparently was the same sentiment expressed by David Bowie’s son.
And what gives with Justin Bieber’s performance? It was his first time getting to perform nationally in the Post Everybody Hates Bieber era (which, correct me if I’m wrong, is somewhere between the Jurassic and Pleistocene era on the epochal timeline), and they took his song that is grounded in electronic, computer-made sound and instead performed it with actual instruments? It changed the entire complexion of the song.
Oh, and don’t even get me started on the mess that was the Hollywood Vampires. That was just scary.
But let me say this. The Grammys seem to be obsessed with medleys, unusual artists pairings, and experimental performances. It’s the Grammys, so they want everything to be unique.
And that’s what made the performance by the Eagles, joined by Jackson Browne, singing “Take it Easy” as a tribute to the late Glenn Frey so special. They simply sang a classic song, from start to finish, telling people to take it easy in an era when people are no longer physically capable of taking it easy.
It was the most honest, sincere and heartfelt moment of the night, in my mind.
On that note, I can’t think of any better way to pay tribute to their tribute by spending the rest of the evening taking it easy by pulling my own Eagle.
That did not come out right at all.